STEINBERG NUENDO 4.0 SOFTWARE
STEINBERG NUENDO 4.0 PLUS

This streamlined approach to workп¬‚ow extends to the Quick Controls section in the Inspector, which offers speedy access to any parameter associated with the track, including those for FX and VSTi plug-ins. It incorporates a much clearer workп¬‚ow with regard to editing, hit-points, slices, 'warping' and tempo matching, even if much of the functionality was already in place. On the editing front, there's now a much-improved Sample editor, which emulates the main Project window with its Inspector-style function tabs. Parts can be excluded (drum tracks for example), kept within an octave range or locked. These audio manipulation enhancements extend to Audio Warp and some great track transpose features.ДЄs well as being able to transpose tracks from the Info Line, it's now possible to set a Root Key for a project and get musically useful transpositions of imported events or existing audio and MIDI material.

STEINBERG NUENDO 4.0 PLUS

Add to this the new Fill, Trim and Punch options - plus a great Preview mode that's enhanced by the intriguingly named Touch Collect Assistant - and you have a truly up-to-date implementation.ДЄudio pitchshifting and timestretching have been greatly enhanced with the addition of MPEX 3, the latest version of the algorithm developed by Prosoniq (makers of Time Factory). While the underlying system of writing and recording automation events to tracks remains unchanged in Nuendo 4, it's been dramatically enhanced with the new Automation panel, and offers far more detailed control over how it's written, overwritten, read and updated.Дifferent automation modes can now be selected for each channel and read/ write events ignored depending on type. One area of particular concern to high-end users is the п¬‚exibility of a recording/production environment's automation system. Recalling speciп¬Ѓc Insert settings for particular performers or settings is now straightforward. There are also Track Presets, which are essentially snapshots of Audio, MIDI or Instrument channel strips (including EQ and Inserts). To make use of MediaBay, Steinberg have introduced Instrument Tracks, which combine MIDI tracks and VST Instruments into one convenient unit (albeit without multiple outputs). MediaBay could be a great time-saving tool in a busy broadcast or post-pro environment, but it remains to seen whether itВґll be adopted extensively by third-party developers.

STEINBERG NUENDO 4.0 SOFTWARE

When MediaBay made its debut, criticisms of it centred on performance issues (which seem to have been improved with more focused scanning of existing п¬Ѓles) and the fact that the only correctly tagged п¬Ѓles are those that come with the software (tagging will always be a tiresome task). There are facilities for tagging п¬Ѓles with useful descriptive information and auditioning loops and sounds. It's a media п¬Ѓle management system that's designed to incorporate audio, MIDI, track and project data into one accessible entity. The MediaBay database environment made its debut in Cubase 4. There's a feedback loop detection system to prevent unwanted conп¬Ѓgurations. With all this comes a much more п¬‚exible routing system that enables Track, Group and FX routing in any order and to any location - even back to an input.

Steinberg nuendo 4.0